Ncebakazi Msomi Breaks Record as One of South Africa’s Fastest Female Gospel Artists to Hit No.1 on iTunes

Ncebakazi Msomi has officially joined the ranks of South Africa’s top-performing female gospel artists after her latest project earned the No.1 spot on the South African iTunes Chart within just 13 hours of release. Her swift rise to the top places her among an elite group that includes Ntokozo Mbambo, Xolly Mncwango, Nontokozo Mkhize and Nothando Hlophe, all of whom have achieved rapid iTunes dominance with their solo releases.

According to streaming data, Msomi’s project reached the top position on the chart only 13 hours after release. This achievement marks her as one of the fastest solo gospel women in history to do so in South Africa. She now shares this remarkable milestone with some of the country’s most respected gospel voices. Ntokozo Mbambo’s Lavish Worship claimed the No.1 spot within the first 12 hours of data reporting. Xolly Mncwango achieved the same feat in 13 hours with both Jesus is Enough and Unusual. Nontokozo Mkhize’s Lindiwe reached the summit in just 11 hours, while Nothando Hlophe’s New Dawn topped the chart in 14 hours.

Ncebakazi Msomi’s accomplishment reflects both her growing fan base and the strength of South African gospel’s digital presence. Her sound, marked by heartfelt worship and refined production, resonates with a generation that consumes gospel music across digital platforms. Her 13-hour climb signals not only a strong debut but also the power of modern gospel listeners who are quick to support impactful releases.

The rise of female gospel artists on iTunes highlights a strong trend in the local music industry. Each of these artists has managed to bridge traditional gospel roots with contemporary sounds, creating music that appeals across audiences and age groups. Ntokozo Mbambo’s success with Lavish Worship reaffirmed her legacy as one of the genre’s most influential figures. Xolly Mncwango continues to solidify her reputation for consistency, with two projects earning rapid chart dominance. Nontokozo Mkhize’s Lindiwe proved the demand for fresh female gospel voices, while Nothando Hlophe’s New Dawn reinforced her position among the top worship leaders in the region.

As streaming platforms play a larger role in music discovery and chart success, achievements like Msomi’s show how quickly audiences respond to authentic worship music. Her rapid ascent on iTunes points to a promising future, not only for her career but for the entire gospel genre in South Africa. Ncebakazi Msomi’s record-breaking moment confirms her place among South Africa’s leading female gospel voices. Her success joins a growing narrative of women shaping the sound and spirit of modern gospel music.