Worship House Releases Project 22 Restoration Deluxe (Live) Album

Worship House has released its highly anticipated Project 22 Restoration Deluxe (Live) album, bringing together an extensive collection of live gospel and worship performances featuring a diverse group of guest ministers and musicians. The new project expands the Worship House sound through 23 live tracks that celebrate faith, praise, worship and spiritual restoration. Each song features a guest artist, creating a collaborative project that showcases different voices and musical expressions. The album also brings together songs performed across several languages, reflecting the rich cultural and musical diversity within the gospel community. With its strong focus on live worship, Project 22 Restoration Deluxe (Live) offers listeners an opportunity to experience the energy and spiritual atmosphere associated with Worship House’s ministry.

The album’s 23-track format gives Project 22 Restoration Deluxe (Live) considerable depth and variety from beginning to end. The project opens with makomborero praise medley (live), featuring Misheck Mahendere, setting the tone with a praise-focused performance. This is followed by modimo rebokawena (live), featuring Monicca Magashu, before we worship Jesus/hatuta inama (live) introduces Tendamudzimu Dagada to the project. Other early tracks include ungamiyeli (live) featuring Rendani Mulidi and tiyisela (live) featuring Minister Eliot. The opening section immediately establishes the album as a broad celebration of worship that brings together established voices and different musical approaches.

The middle portion of the album continues the collaborative approach with a wide range of featured performers. ndi mulisa wa ndele (live) features Ndivhuwo Matumba, while bhala mabhalane (live) features Simphiwe Ngwenya and kheyI mbilu yanga (live) features Tumi B. The project then moves into mulilo wa Yesu (live) featuring Thanyani Ranwedzi and a re swareleleng (live) featuring Simon Kupa. mathupho a muvhuya ndi manzhi (live), featuring Lufuno Dagada, is followed by ndi sendela kha iwe (live) featuring Alfred Ndou and ung ujehovah (live) featuring Todani Musia. The sequence demonstrates how Worship House has used the project to create a shared platform for gospel artists with different voices and backgrounds.

The album continues to explore its multilingual character through songs that draw from different African languages and worship traditions. amigo (live), featuring Bonofulu, is followed by umsebenzi (live), featuring Andries Mola, while a thilwi na muthu (live) features Rapson Rambuwani. hitahlula (live), featuring Princess M, adds another distinctive performance before ke dumetse (live) features Mahazel. bonang ho tlhagile (live), featuring Simon Kupa, then continues the worship journey, showing the breadth of the project’s musical and linguistic expression. This diversity makes the album particularly significant for listeners who value gospel music that reflects different cultural communities while keeping worship at its centre.

The final section of Project 22 Restoration Deluxe (Live) maintains the album’s emphasis on collective praise and spiritual expression. tshisima (live) features Maria Ndouvhada, followed by ndina murena (live) featuring Mercy Mutheiwana and re a o boka (live) featuring Mma Moruti. The project then closes with arehone (live), featuring Muvhuso Kingdom Masakona. Ending with a broad collection of voices reinforces the album’s collaborative character and its focus on bringing worshippers together through music. Rather than relying on one central performer throughout, the project allows each featured artist to contribute to the wider Worship House experience.

One of the most notable aspects of Project 22 Restoration Deluxe (Live) is the emphasis on live performance. Live gospel recordings often capture elements that can feel different from polished studio productions, including audience participation, vocal interaction and the natural energy of a worship gathering. This approach allows listeners to engage with the music as an experience rather than simply hearing individual recorded tracks. The inclusion of “live” in every track title reinforces the importance of performance and communal worship throughout the project. For Worship House, the format provides an opportunity to present gospel music in a way that remains closely connected to its ministry and worship roots.

The extensive list of featured artists also makes the album an important collaborative release within the gospel music space. Names such as Misheck Mahendere, Monicca Magashu, Tendamudzimu Dagada, Rendani Mulidi, Minister Eliot, Ndivhuwo Matumba, Simphiwe Ngwenya and Tumi B appear across the tracklist alongside many other contributors. The project also features artists including Thanyani Ranwedzi, Simon Kupa, Lufuno Dagada, Alfred Ndou, Todani Musia, Bonofulu, Andries Mola and Rapson Rambuwani. Princess M, Mahazel, Maria Ndouvhada, Mercy Mutheiwana, Mma Moruti and Muvhuso Kingdom Masakona complete the extensive lineup of guest performers. This combination gives the album a collective identity and allows different artists to bring their own interpretation to the Worship House sound.

Project 22 Restoration Deluxe (Live) also highlights the role of gospel music as a means of connecting communities through language and culture. The tracklist includes songs with titles in several African languages, alongside English, demonstrating the multilingual nature of contemporary African worship music. This variety can help the project reach listeners from different linguistic backgrounds while maintaining themes that remain central to Christian worship. The combination of praise, worship and restoration creates a consistent spiritual thread across the 23 performances. As a result, the album can appeal both to listeners seeking music for personal devotion and to worshippers looking for songs suitable for communal praise.

With 23 tracks and a large lineup of featured artists, Worship House’s Project 22 Restoration Deluxe (Live) arrives as an expansive addition to the gospel music catalogue. The project places live worship at the centre while giving numerous artists the opportunity to contribute their voices to a shared musical experience. Its multilingual tracklist reflects the diversity of African gospel music and gives the album a broad cultural character. The combination of praise medleys, worship songs and faith-centred performances provides listeners with a substantial collection for worship, reflection and celebration. Project 22 Restoration Deluxe (Live) ultimately strengthens Worship House’s contribution to contemporary gospel music by bringing together many voices around a shared message of faith and worship.